![]() Photo © David Hooleyīevis sets the production in an abandoned theatre, whose ghost light evokes the ghosts of past loves that gently haunt the characters and locales throughout the show. ![]() Bevis for the Hayes – aided by a solid cast and some great singing – does a lot with the little that Lloyd Webber’s book (adapted from the novella by David Garnett) and Don Black and Charles Hart’s lyrics have to offer.Ĭaitlin Berry and Jonathan Hickey in Aspects of Love at the Hayes Theatre. Even without this creepy romance (which spans much of the musical’s ponderous second act), the meandering plot, vapid lyrics and work-in-progress title of Aspects of Love offer little to warrant a revival. ![]() ![]() According to the opening number in Andrew Lloyd Webber’s 1989 musical Aspects of Love, “love changes everything.” This is especially true if that love is a deeply unsettling attraction you feel for an old flame’s 15-year-old daughter, who – spoiler alert – is also your cousin. ![]()
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